View the exhibitions from 2023 at the SASA Gallery
View the exhibitions from 2023 at the SASA Gallery
So near, that we can touch the spaces presents Leslie Matthews practice-based investigation of the gestural line and how it informs our bodily knowledge of spatial perception and materiality. Matthews’ multi-disciplinary practice traverses, jewellery and works on paper. Drawing on diverse materials and processes including sterling silver, pigmented porcelain, vitreous enamels, etching, watercolour and gouache So near, that we can touch the spaces makes connections and offers reflections on the impermanence of life, the pathos of things and the intense emotions objects can evoke within us.
Image: Leslie Matthews, brooches, 2022, porcelain, sterling silver oxidized
Tricia Ross' interdisciplinary research addresses the perilous state of the planet in the age of the Anthropocene. Bringing together printmaking, archive materials, photography, and painting, Earth matters confronts environmental impacts while imploring us to act on biocentric justice.
Weaving legal thinking and creative making, Ross draws our attention to the ongoing struggle to enact climate policies and proposes that in the face of irreversible climate change, ecological concerns require consideration about laws that do not currently exist.
Hope is a future where adverse climate impacts are mitigated.
Lines of Force presents a creative enquiry into the relationship between scale, the materiality of steel, and notions of place.
Hall’s sculptural objects, with their open and wavering forms, refer to the construction of steel, its material resistance and the transformational forces of making. Each component embodies the potential energy that allows the objects to span and project into space.
Christian Hall’s exhibition examines forces, energies and effects that emanate from things and to which things are subject—invisible forces of interaction that undermine the notion of separate entities in the world.
Image: Christian Hall, Shutter #1 (detail), 2021, steel, 270 x 270 x 280mm. Photo: Sia Duff
Using the medium of cardboard as its starting point, come and see the innovative, playful and experimental works of UniSA contemporary art students, staff and supporters and what cardboard can be transformed into when in their hands.
Placing archival material alongside contemporary works it includes installations by Dr. Urs Bette and Dr. Margit Brunier, ceramics by Lotte Schwerdtfeger, Phoebe Kretschmerand Dr Tanya Court, paintings by John Forbusier and drawing by Tom Carment, photos by Xu Tiantian and finally a digital presentation from Ass Prof. Josh Zeunert.
Chthonic is a satellite exhibition associated with the AILA (Australian Institute of Landscape Architects) National Festival UN/EARTH to be held at the Wine Centre on 19-22, October 2023.
Image: Tom Carment, Weed on John Taylor's Grave, Adelaide West Terrace Cemetery, 2020, pencil on paper 30 x 21cm