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1994 SAMSTAG SCHOLAR

SARAH LINDLER

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​...Sarah Lindner's strong desire to engage with her audience, partly explains the theatricality of her kinetic, or otherwise animated sculptures.


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Image: Sarah LINDER, Hymen (detail), 1994, latex rubber, pink & white gingham steel, Wernard sewing machine motor, five electric toothbrushes, twelve 1955 clothes brushes, sensor, 26.0 x 32.0 cm radius, © the artist

 

Sarah Lindner

Born 1970, Tanunda, South Australia

While not compulsive, Sarah Lindner's strong desire to engage with her audience, partly explains the theatricality of her kinetic, or otherwise animated sculptures.

A natural innovator and fecund with ideas, Lindner draws for her subject from personal history, an amalgam of childhood mythologies, family, and the experience of self. These constitute not just a site for exploration, but a domain in which opportunity exists to recover remnants of her gender heritage.

In Hymen, Lindner's stretched membrane deafens in excruciating titillation – a proclamation of her determination to mistress externals, from within. 

Ross Wolfe from his Samstag essay, Chaos in Heavean

1994 Anne & Gordon Samstag International Visual Arts Scholarship
1994 MFA, School of Visual Arts, New York, USA 
1992 Bachelor of Visual Arts, University of South Australia, Adelaide 

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Samstag Museum of Art, University of South Australia, acknowledges the Kaurna people as traditional custodians of the land upon which the Museum stands.

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