...Sarah Lindner's strong desire to engage with her audience, partly explains the theatricality of her kinetic, or otherwise animated sculptures.
Born 1970, Tanunda, South Australia
While not compulsive, Sarah Lindner's strong desire to engage with her audience, partly explains the theatricality of her kinetic, or otherwise animated sculptures.
A natural innovator and fecund with ideas, Lindner draws for her subject from personal history, an amalgam of childhood mythologies, family, and the experience of self. These constitute not just a site for exploration, but a domain in which opportunity exists to recover remnants of her gender heritage.
In Hymen, Lindner's stretched membrane deafens in excruciating titillation – a proclamation of her determination to mistress externals, from within.
Ross Wolfe from his Samstag essay, Chaos in Heavean
1994 Anne & Gordon Samstag International Visual Arts Scholarship
1994 MFA, School of Visual Arts, New York, USA
1992 Bachelor of Visual Arts, University of South Australia, Adelaide